Pyramid Art

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Pyramid Art

By Mark Dolamore 
   

Mankind has gambled the farm on reason and free will, against the sublime power of nature. The Pyramid lets us know all is not yet lost, by revealing the unconscious source of creativity, hidden in some archaic binary code. Could this be the hand of God we can grasp and use to drag ourselves out of the pit we've dug for ourselves?

Just as bright words here link to pictures and deeper definition, great art expresses something unseen. Its beauty shines from the Pyramid.

The triptych is a work of systems, representing the first discovery in art since the Italian renaissance. Back then it was one point perspective, used to build the illusion of space. This one gives new perspective on the sublime to build a vision of timelessness more useful than you can imagine.

How so?

The Pyramid emerged from an observation technique I pioneered to generate feedback with space-time via synchronicity. It verifies my claim to developing synergy with nature through this process because my art reveals the persona of timelessness in a language that can only originate there.

To begin with, the central imagery of the Pyramid consists of the A and Z monogram, overflown by a butterfly. That's remarkably descriptive and meaningful, given these images are as unlikely as a room full of monkeys dancing on typewriters is to produce the complete works of Shakespeare. You see, they're built as a systematic combination of a pair of archaic, binary coded data sets, using a mandala structure to create an interference pattern between the codes, one of which is relatively modern and the other decidedly ancient. The Jewel Mandala acts like a window where the symbols are plotted using my simple mathematical system.

The meaning contained in these images reflects the channelling quality of the observational process I used to discover them. It's really simple: I asked questions in my head and they were answered on the fly by meaningful coincidences in my environment. That's how I observed the presence of timelessness as my guide, to discover this language, woven into the great tapestry of life.

It begs the question: Why does any of this exist?

We all occasionally experience synchronicity in a limited way, along with other anomalies of awareness, like déjà vu. These moments, the more one considers them, steer us closer to synergy with space-time. Few have followed this path because, generally speaking we are unobservant and insufficiently curious about such transient effects. In addition they feel unsafe to pursue. Conventional wisdom denies such perceptions can lead anywhere, but on the evidence of Pyramid Art that must all change.

How can you know if the guiding perceptions I speak of are real or not?

At one point I began following synchronicity to find out the truth. It all kicked off at the age of twenty seven when the change of awareness overtook me. The phenomenon then just kept building. Some years later, at the peak, it reached hundreds of events per day. While shocking and confusing at first, I stuck to the task, while it moved me from London to São Paulo Brazil. Pyramid Art came to light there. The gold header button tells my story.

Synchronicity is the spiritual experience that betrays a level of mind materialist thinking will never grasp. It belongs to what neuroscience refers to as the "Hard Problem", characterising its failure to formulate a theory of mind explaining all our mental abilities and potentials. The Pyramid represents a watershed there, because it reveals shocking information from the unconscious, which contradicts cherished assumptions, using simple mathematics... and numbers don't lie.

You need to be aware why this art has such monumental significance, so bare with me now while I jump to seemingly unconnected areas of science.

Here's the thing: Free will is not as free as the conscious ego would like to think. Consider the mind effects of parapraxis and déjà vu and you'll understand. On top of that, while evidence to the contrary stares us in the face, the whole system supporting the concept of free will is rigged, and we refuse to take this into account, simply because conventional thinking says nothing is wrong. The result is that modern science has its knickers in such a twist on this issue; it must have you believe in the multiverse. This is the doctrine first proposed by Hugh Everett, back in 1954 in his graduate thesis, then summarily bolted on to the scientific cannon to explain away the Anthropic Principle; the observed fact our universe is finely tuned to produce life and reasoning intelligence, such as ours.

At the time, the ethically truthful, but vehemently godless foundation of science, having remained untested, had been safe since the age of reason by virtue of its evidence based system of knowledge gathering. In the mid-nineteen-fifties its status was challenged by Fred Hoyle, the theoretical astrophysicist who discovered the fusion process, creating carbon within stars, is so finely tuned and so unlikely, it could not be the product of chance organisation, so it and the entire universe, must have been designed by a cosmic intellect, i.e. God. The multiverse concept was a way of doubling down to trump that idea. However, its adoption was simply a perverse gamble. It was motivated by entrenched atheism not any proven fact, since evidence to support the multiverse theory is impossible to acquire. Worse still, it has put the living balance of the planet and our futures at risk because the tactic worked, the hegemony of scientific godlessness was maintained and Hoyle was ignored. It's a big deal because our world vision continues to be corrupted by this deceit.

The multiverse concept apparently defines the limits of vision a godless science can offer. Essentially, it imagines ours is one of an infinite number of universes, whose laws are determined by chance. Remember, this is a doctrine handed down by the arbiters of truth so they can maintain, despite evidence to the contrary, our universe obeys laws set at random and not by a supreme being who might be considered the architect of our lives. We are carbon based organisms, after all.

Logic dictates, if ours is a randomly arranged universe, only meaningless shapes would result from my pattern making system. Remember, I followed synchronicity as signposts to create the Pyramid. So, according to conventional wisdom, no revelation concerning a creative force at the heart of reality would be likely to emerge from the process, yet that's precisely what happened. It's obvious in the central imagery of the pyramid and occurs throughout this language, the more you look. For example; all the corners are symbols for Christ and the whole sequence tells a story in visual metaphors you can buy into.

So, what could be going on?

The fact my creative process centred on synchronicity as the expression of my feedback with space-time, is key. Conscious feedback of this kind implies an unconscious intelligence underlying reality exists to feedback with, in order to find the working synergy I claim.

What if chance only appears to be random because conventional wisdom is blind to its pattern? What if that pattern is the only thing that can save us from ourselves by activating a hidden quality of the mind: feedback and synergy with nature at the level of timelessness?

To find the cure, where can we focus our attention?

Physics says the whole universe is a quantum phenomenon. Experiments have confirmed, the quantum field, the connected void within atoms, which includes the void between the stars and galaxies of the entire universe, presents a non-local force involved in quantum entanglement, a curious phenomenon that defies relativity. We also know that force is psychoactive because the results of experiments where the force is involved hinge on the intentions of the scientists who carry them out... which implies this non-local force never needs to travel anywhere because it acts everywhere simultaneously and it influences the mind unconsciously. Essentially it's a timeless dimension we are unaware of in real life... but come to think of it, sometimes it does break through to consciousness in events like déjà vu and it would naturally be responsible for synchronicity, the mind's creative functions... and a lot more besides. The point is it would be very useful if we found a way to synergise. My Pyramid Art and the meaning it reveals, relied on tuning-in to timelessness. It's the proof we are capable of waking up to the timeless dimension. I feel, doing this en-mass will lift humanity out of the crisis we're in, by developing a kind of genius in synergy with nature.

The very existence of meaning expressed through my art by a hidden force of nature, given its systematic and mathematical structure, suggests there must be a cosmic plan for each of us, set within a timeless dimension we can tune-in to. In that context the AZ symbol in the central imagery of the Pyramid suggests the source, its goal and the map to navigate the labyrinth of existence. It's also an update to the Biblical Alpha & Omega, beginning and end of the ancient Greek alphabet. That was the symbolism early Christianity used to represent the liberator, or messiah. Above is a butterfly in flight, referring to metamorphosis, liberation, the butterfly effect and timeless beauty as a living beast; which by the way, is drawn like a signature, in one continuous line, changing direction just four times.

The void makes up more than 99% of the volume of matter here on Earth, including the brain, from where its force must continually influence our thoughts, whether we realise it or not. The ego self wants to suppress it, whereas actively responding through feedback amplifies its force. But be warned, there's a balance to strike.

Planet Earth is in a perilous situation and we need help from somewhere now because "expert" thinking is not immune to the corruption infecting all elites; the people and systems that have gotten us into our current mess.

Synchronicity had become the dominant feature of my awareness by the age of thirty, so I was positioned to use it as an observation technique to direct my artistic enquiry into timelessness in Sao Paulo. This came to fruition through a creative episode, bracketed by global synchronicity in 1987: The Great October storm and Black Monday, revealing the Pyramid as an interference pattern between two binary hexagram codes found in only one western, twentieth century translation of an ancient, oriental philosophy.

The I Ching is the world's oldest constantly used book. As such, the meaning revealed by the Pyramid is proof mathematical of a timeless intellect, working towards something through the ages. His creative force emanates from both within and beyond the individual, where we also find the quantum field. His force of mind, when tuned-in to, would then link all creativity, human or otherwise, back to the sublime ancestor, the eternal Yang to our mortal Yin. So, here's a question to consider:

Would deliberate action in synergy with him, in this life, bestow merit on its actors for eternity? It stands to reason it would.

The fact we are normally unaware of the ancestor cannot therefore, be a good thing. For starters he comes across as spooky when we do catch a glimpse, so we recoil in horror and confusion, then promptly forget those "incidents" while the ego reasserts itself as sole possessor of self. The alternative would be to do as I did: Love, listen, follow and develop synergy over time, so a marvel might emerge.

While I know deep satisfaction will come from your synergy with the ancestor, once you develop it, all I can do is implant these ideas and offer initiation and development tools, once you sign up. You may already have experienced the stirrings of the mystery I'm talking about, as an apocalyptic form of beauty. This shines through the Pyramid for your contemplation as a catalyst for conscious partnership.

The eminent art historian, Kenneth Clarke, in his magnum opus: "Civilization," said: "All art is in one way or another, about the search for God." Well, eureka! I offer graphic proof of the abstract force synonymous with the Collective Unconscious, the hive mind, or Divine spirit in man. To emphasise the need for a revolution of consciousness now, here's a quote from Albert Einstein, the quintessential Genius:

"The intuitive mind is a sacred gift and the rational mind a faithful servant, but we've created a society honouring the servant that forgets the gift”. The ongoing amnesia stems from our failure to develop working synergy with the source of our own creativity.

To reform mankind's abusive relationship to nature, requires we transform our thinking by tuning individual intuition in to timelessness as both an inspirational and self limiting force. I offer my "Papolona" art project for that purpose. You're invited to become a co-artist, though no artistic skill is needed. A willingness to accept the intuitive mind and adapt to its prompting is essential though. While you're in this mode, you can also learn the language of The Pyramid. Click this link to Papolona.guru or the butterfly button in this page header, then compose some honest question(s) to start your ball rolling. You'll receive clues by which to interact with the ancestor via the quantum field. Allow them to stimulate and guide your vision and with a little practice, the process will uncannily engage and tune your synergy with space-time.

Make contact via Papolona.guru and I'll demo how it works.


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