Pyramid Art

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Pyramid Art

By Mark Dolamore 
   

Carl Jung’s ideas on the unconscious as the animator of human creativity inspired me from early days, while twentieth century art tested the concept through successive movements. The Pyramid is my systems breakthrough to a sublime beauty and timelessness solving the mystery.

The Pyramid was revealed through a mathematical system. The approach was the result of a novel observation process I'd been following for years, so it had by then already transformed my world view and I wanted to encapsulate some verifiable beauty, as the evidence supporting my new, holistic vision.

The Pyramid triptych is built around a mandala. This Jewel Mandala is the window where two binary coded data sets are combined via a simple formula to produce the symbolism as an interference pattern. One of the source codes is a well known ancient arrangement, while the other is modern and unknown, so where the configuration reveals some essence of timelessness as hidden meaning, nothing so intelligible should exist if the scientific world view is the whole truth. And the meaning I speak of represents evidence for our unconscious conditioning by whatever force of mind contrived this pattern. I see it as a timeless form of intelligence we're normally unconscious of, but can become receptive to. The interesting thing is effectively, the discovery provides the means to make it conscious via a language that cannot be human, but neither is it totally alien. It belongs to the hive mind; a sovereign state Jung referred to as the collective unconscious.

From time to time we all sense a transpersonal force, emerging through unexplained weirdness in our lives. We mostly dismiss such impressions because they're personal and they challenge the collective world view we subscribe to. However, that view isn't static nor is it properly defined; it evolves over time as the collective artifact of the civilisation we're born into. I was put in the position at a point in my late twenties to contribute something via a Jungian observational phenomenon. My awareness was suddenly transformed by synchronicity. The experience grew to answer and pose all kinds of questions, so for the sake of my artistic development, I decided to pursue it as feedback from timelessness. The Pyramid was the result of this odyssey. However, feedback can be experienced by anyone, using my quantum field interface Papolona.guru.

Albert Einstein, author of quantum theory, said: "The intuitive mind is a sacred gift and the rational mind a faithful servant, but we've created a society honouring the servant that forgets the gift”. Our amnesia is a denial we may think justifies our neglect in developing a proper partnership with the source of creativity, but if we continue this way, it will seal our doom. I am convinced mankind must learn to consider the gift more closely or perish. The problem is nobody is trying because we do not realise why we should... which means humanity will remain under the thrall of the hive mind, instead of taking-up his offer of partnership. Despite glimpses and clues, we refuse to believe we are anything other than free agents. But, what if the spiritual freedom we think we possess is impossible, due to the unknown mechanics of the human mind? Would it then not be an ignominious state of affairs to pursue our desires, in the knowledge they're manipulated by a mind force we've failed to recognise? Conversely, were we to accept the potential for synergy with such a force, could a truly productive liaison emerge? Who will ever know? It's highly unlikely to come to that test because, as things stand, the relationship of the hive mind to the individual remains parasitic. But Pyramid Art represents mathematical evidence man can develop an intellectual partnership with the timeless force of nature, through the pursuit of synchronicity. We can achieve the extraordinarily results we think of as genius by consciously partnering the force. I suggest it's the paradigm shift needed, if civilisation is to survive itself.

Great Modern Art captures something unseen as an impression. Pyramid Art goes one vital step further because it's generated by a mathematical system that one can contemplate, paradoxically, to consider what is normally invisible. Here lies the realistic possibility of personal breakthrough to synergy with timelessness. I offer you that sensational experience, if you'll play along. My Pyramid art was produced by combining information only attributable to something sublime. I was guided to find the information in an obscure pair of binary code sequences. Conventional logic "knows" the Pyramid should be meaningless, but since it's coherently meaningful at every level, convention must be missing something... just as flat-Earth thinkers were.

Shakespeare most famously said it best when he wrote: "The fault is not in our stars, but in ourselves, that we are underlings". As a graphic example, here's something to challenge your conceptual intelligence, proving the hive mind wishes to commune with you 121. Give yourself a minute, a pen and a blank sheet of paper. Now draw a butterfly with four wings, body, head and antennae in just five straight lines. Make the beast look alive and in flight... Is that even possible? Now see the centre of the Pyramid. The arrow pointing east, with letter 'N' suggests a spiritual compass. The instrument points to a representation of natural feedback, known as the Butterfly Effect. The image is "drawn" as one line, changing direction just four times, like a signature. It describes the butterfly I requested of you. Now, when the compass arrow is turned to point north, the whole Pyramid points west, symbolising a new frontier, while the central image transforms to the first and last letters of the Roman alphabet... signifying a guide, while the butterfly changes direction through 180 degrees.

The central component of the triptych, this Jewel Mandala or JM, is the crucial part of the formula. A mandala is a schematic arrangement of archetypes, like alchemical elements, positioned in balance and opposition. They're borrowed here from an ancient, oriental philosophy. The JM was designed strictly following synchronicity in about twenty minutes. It's also the window where the source codes are converted to symbols. These codes come from the world's oldest constantly used book, the I Ching, also known as "The Book of Changes". The lower code strip of binary coded data contributes to the mathematical system as the most familiar hexagram sequence, named after King Wen. In contrast, the upper code sequence, by Richard Wilhelm, the index arrangement from his twentieth century translation, is unknown in its pictured form. Roughly three thousand years separates them and neither author could have deliberately hidden the Pyramid in his work... by which we can conclude, whether we like it or not, nature's force of timelessness manipulated the authors' minds as his vehicle for creation and by extension can manipulate all of us in the manner of a hive mind. The implications are inspiring and threatening in equal measure: Trans-personal purpose is available for us to discover on the one hand, but on the other, the individual freedom we think we posses must be a delusion. Ironically, perhaps the only freedom we can own then, is to pursue conscious synergy or not. By the same token, if we knowingly continue in delusion, we don't deserve to survive. That's why I urge you to try using Papolona.guru to kick start your relationship with timelessness.

Western civilisation, back in Roman times, celebrated feedback with nature in its conception of genius. Yet the modern scientific mindset has modified its meaning and failed to formulate a theory connecting the individual to nature, because that would validate the animist ideas science set itself up to banish from our world view. Consequently, science has no theory to explain how the mind works and never will, unless it first recognises our timeless connection with nature, as a force of mind working away in real-time. Being scientifically minded and intuitively inspired, while oblivious of this mind force, inevitably limits our conceptual intelligence. I propose my Pyramid Art, resulting from my alliance with nature's timeless dimension, is proof of some old ideas about genius, but it also has to be said, I'm in many ways a normal man, certainly no Einstein.

The individuals who came up with the source codes for my Pyramid Art, must have been influenced by the sublime force of nature I speak of. If we trust life and the mind is the product of a benign universe, our supreme purpose must be positive evolution through psychic re-connection and with that, the prospect of spiritual immortality. But one or two things stand in the way. No matter how we may consider the source of truth and beauty to be a good thing, the knowledge of unconscious manipulation by an unseen entity challenges our sense of freedom, justice and rationality. It's where the confusion about God, free will, the devil and the supernatural comes from.

Synchronicity provided me a winding path through the minefield. The process began with difficulty. There were tests to overcome. I was motivated to continue by my belief in and love of the timeless dimension as a benign, holistic, creative agency. Since prehistoric times, until a few hundred years ago, when in his quest for truth, mankind changed tack through the scientific method, a spiritual relationship to the Gods, or the "Great Spirit" out there was keenly sought by the brightest among us. It's time to tack back and reinvest ourselves spiritually, in light of my discovery. After all, the motto inscribed at the spiritual source of western civilisation, the temple of Apollo at Delphi, is the crux of the quest we all subscribe to as a matter of personal integrity: "know thyself". The Pyramid clarifies the labyrinthine confusion of unconscious forces at work by knotting together threads of the puzzle; Eastern and Western, ancient and modern.

Nature's creative force, its self organised intelligence can offer direction only when recognised and pursued. Scientific scepticism has its value, but it turns our heads away from such a course. Yet logically, it's imperative for the future of mankind we find synergy with nature. We are the junior partners. How do we intend to become receptive through our undeveloped senses? Clearly, a perceptual upgrade is needed. That's what I think the Pyramid stands for. Any of the symbols suggests meaning, firstly through the cartoon-like image produced by the mathematical system, then as a combination of I Ching hexagrams. I have considered these things exhaustively, but my personal feedback was responsible for revealing it all in the first place. Only your own feedback with nature will allow you to develop the perceptual upgrade. We all possess the latent link to timelessness, but will you bother to develop it?

In the 1980's, science discovered a timeless force in the Quantum Field (QF), acting everywhere, even within the mind. More than 99.99% of the volume of our physical reality is QF nothingness within the atom. Your body contains trillions, and so the total volume of what you think of as you consists almost entirely of quantum field nothingness. In brain studies, there's medical brain scan evidence to confirm something influences us before we even become aware of our own ideas. If the universe is the holistic quantum phenomenon science proclaims, then your mind must work as a function of this hidden level of nature, connecting you to something eternal. If we are all aspects of nature's self organised beauty, then we are not free and what we think of as freedom is a mirage, constructed by our own excessively favourable opinion of our ability and importance. The only true freedom we could attain, ironically, is a voluntary partnership with timelessness, designed to overwrite the unconscious manipulation nature imposes on us by default. I've shown, through my discovery of the Pyramid, the creative force of nature holds us in its thrall and awaits our conscious collaboration. But developing synergy requires your decisive effort.

Einstein, the archetypal genius and author of quantum theory said: "Intuition is the only real valuable thing." He made best use of it to formulate his theories and transform our notion of reality. With first hand experience of synchronicity and a little fine tuning I believe we can transform ourselves through the quantum dimension.

Changing the collective vision in this way is possible, but only one mind at a time. Note how the meaning of the central imagery of the Pyramid changes when turned 90 degrees to point west. The compass image points north now and resembles the first and last letters of the modern, Roman alphabet, recalling the Alpha & Omega, first and last letters of the ancient Greek alphabet, badge of the Biblical Messiah. The butterfly soars above now, having changed direction 180 degrees to fly west... so where did the 90 degrees extra gyration come from? Symbolically the image suggests transformed perception, a new synergy frontier to be explored.

The prospect of an alliance with nature's hidden beauty moved me to embark on my quest for a new art. It culminated in the Jewel Mandala (JM), the middle image of the triptych. I named it the 'Jewel', because it looks like a cut gem. Each of the 28 lines represents two hexagrams. In addition, there are eight circles, representing hexagrams with identical upper and lower trigrams. The JM is the central component for unlocking the binary coded data. The importance of the JM was confirmed by apocalyptic synchronicity around the world, at the beginning and end of the creative time frame, over a long weekend. The first confirming event was the Michael Fish storm, which ravaged my homeland. This was followed by Black Monday, three days later, when the symbolism emerged.

My artistic process pursued synchronicity to produce the Pyramid. From the beginning I had only faith some method to the madness would carry me through. Oscar Wilde said: "Life imitates art far more than art imitates life." Sir Kenneth Clarke in his 1969 TV series Civilisation said: "All art is in one way or another about the search for God”. Albert Einstein said: "The intuitive mind is a sacred gift and the rational mind a faithful servant, but we've created a society honouring the servant that forgets the gift”.

You’ll be vaguely aware of the effects of timelessness in your dreams, déjà vu, Freudian slips, synchronicity, intuition and more. If channelling these things to a magical goal can work as it did in my case, then considering such effects seriously, as a form of guidance from timeless nature, isn't the madness it sounds, while the failure to do so is the real reason the planet is in such a pickle.

I'm sure I'm not the first to experience this timeless power of nature. I am however the first to bring forth mathematical evidence for my synergy relationship. I've also devised a fun, fascinating and collaborative art work I invite you to join in creating (no drawing skill is required). By taking part you'll naturally tune-in to timelessness, because it employs a form of synchronicity on demand, harnessing the quantum field. I believe this art will develop your synergy with nature, to surface in ways you cannot even imagine.. because it happened like that for me. Feel free to join Papolona.guru. You can return here to work your head into this challenging theory from the top menu Pyramid Art button, or contact me directly on "site info" if you have a question.


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