Pyramid Art


Pyramid Art

By Mark Dolamore 

The Pyramid is an apocalyptic work of systems art. It's also a form of mathematical proof that beauty is a holistic intelligence influencing us 24/7 from the unconscious. In other words, the creative ideas we think, result from our hidden psychic connection to nature. The question is: can this influence be brought to consciousness and exploited?

We would do well to recognise nature's timelessness within, because our failure to tap into it robs us of our synergy potential, something mankind needs now, more than ever. Pyramid Art, with its quantum field feedback interface, engages the intuitive mind in a way that tunes-in.

You see, the Pyramid resolves the great, human paradox: We believe we're autonomous individuals defined by reason and free will, yet we also know our personal qualities emerge through the intuitive mind, where an unconscious, transpersonal intelligence possesses us. This force is manifest where the ego self has no apparent control, in dreams and impulses, inspiration, déjà vu, intuition, synchronicity and more. A cure to the internal conundrum was once offered at the ancient spiritual centre of the western world: the temple of Apollo at Delphi.

Product of my perception research, my grail quest for truth and beauty, the Pyramid straddles the frontier with science to provide graphic evidence with profound implications for the revitalisation of humanity in tune with nature. And by the way, it's got nothing to do with Egypt, but has ancient roots further east, via the binary code.

While visually pleasing as a scheme of symbolism, the Pyramid is significant for being a discovered language that can only belong to the timeless dimension because it was found through a beguiling form of observation we can ascribe to its force breaking through to consciousness. This odd awareness is something episodic we all experience, muse on, but then dismiss and forget because it doesn't fit our world vision. However, since the Pyramid is built using historical coded data, there's no mistake or caprice to its telling imagery. Its meaning is clear, but comes seemingly out of nowhere. Effectively that means the conventional world vision is blinding us to something we must now learn to see and use as a springboard to scale new heights.

My influences in discovering the Pyramid were Carl Jung’s ideas, together with synchronicity, the phenomenon he defined, which invaded my life suddenly and in such profusion I couldn't just dismiss it. Instead I learned to use it as a series of signposts, directing this systems art breakthrough to demonstrate how the experience of timelessness, when pursued, produces a feedback dialogue with holistic nature... a universal mind anyone can find expressed through the unfolding of time and events in this life and which, whatever strand of culture you're from, signifies there is this hidden force to tune-in to. The problem is, the ego sleepwalks through life, under its thrall. My job is to shake and wake you. For any discomfort caused, I apologise in advance.

It should be clear by now in the knock-on effect of our desires, actions and our numbers, were're kicking this planet out of balance. Given our adversarial nature as a species, our reproductive and emotional dynamics, together with the market system motivating almost everything we do, the resulting confusion is now the problem. The situation reveals the down side of human creativity, unmindful of the timeless source. So, unless real time synergy with that source can be found at a personal level, only doom awaits. On the upside, the unconscious continues to inspire and offers a path towards timeless nature via the collective unconscious, a de facto hive mind, responsible for all intuitive mind effects. The first hurdle on the tuning-in track is the recognition we need help from there. As the boost to find it, the Pyramid reveals something crucial to expoiting your natural genius.

This presentation sets up a fun, but challenging game-like experiment you're invited to contribute to, in aid of that discovery. The experiment is named after the Catalan word for butterfly, for reasons that will become clear as you read on. Sign-up at: to acquire your private, quantum field feedback interface.

All modern art is essentially experimental. The primary assumption for this one is we are all unconsciously linked to a timeless dimension via the collective unconscious already and this effects all our creative ideas in real time. Furthermore, that source has an agenda, which is essential for each one of us to discover and pursue. Each person's journey is going to be different, so the only rule is developing the connection and maintaining its authenticity. The Papolona website is a social network where this can be done. It's where the insights into this vital pursuit can be produced and shared. Primarily it's designed to develop your synergistic feedback with the source of all ideas, through the quantum field interface, where genius is produced intuitively, as you tune-in. Papolona gathers the evidence, presented as a new kind of art. So, by contributing, you'll be providing a service to mankind concerning conscious partnership with the sublime and timeless, abstract and creative force of nature.

Papolona brings you the status of a co-artist in that work. Participation is simple, easy and requires no artistic or scientific skill, since it's produced using machine generated butterfly imagery. The art then becomes available anywhere online. You can even have it printed out to hang on your wall. All you do to contribute is select your favorite images when the time comes and add meaning to them, so as to earn your contribution right. The process entails asking a guidance question and completing an intuitive reading of clues produced by the quantum field. These are personal to you and acquired via remote physics laboratory. If the theory is correct and the quantum world and your creative, unconscious mind are usefully connected 24/7, then your readings should produce synergistic feedback or guidance to further your understanding, guide your actions and resolve internal conflicts that gave rise to your questions.

So, let me now reveal the magic the Pyramid represents: To begin with, the triptych is a very simple mathematical system capturing a sublime beauty that demonstrates the vision I'm outlining. Because of its conceptual parameters it's also capable of bridging the gap in science, concerning a theory of mind, referred to as "the hard problem". So, though certainly not easy to grasp, the Pyramid is worth the effort.

As I mentioned, it was created by following the guiding prompts of the Jungian observational phenomenon synchronicity. After a long, self organised training process, the experience grew to produce hundreds of events every day. These guided me along a synergy pathway to produce a mandala. This Jewel Mandala (JM), is where the two variants of an obscure binary coded data set are combined through a simple formula to reveal the symbolism as a pattern created between them.

So far so good as a way of smoking out the creative influence of the collective unconscious, because one of the source codes was designed by an individual, living in ancient China, while the other was created in the mid-twentieth century by the European translator of the philosophy the codes originate from. Hence, where their systematic combination reveals the essence of timelessness in a way we can understand, according to the conventional world view, nothing like that is even possible.

The statistical probability of such an outcome occurring by chance is vanishingly small and no link between the individual and nature, as a transpersonal force of mind has ever been defined scientifically, though it is a religious article of faith. So, if such significant meaning is revealed, then Pyramid Art represents "mathematical proof" of my conscious relationship and our general unconscious connection to the universal mind we think of as divine.

That significance becomes obvious in the central imagery of the pyramid, where the first and last letters of the Roman alphabet appear. The symbolism suggests both the beginning and end of time, also a guide or map and a Christian, messianic reference. A butterfly, flying west overhead, refers to the butterfly effect via the pursuit of synchronicity feedback. Similar, complex and descriptive meaning is found everywhere in the Pyramid language the more you look. This is all evidence of our unconscious conditioning by a bigger intelligence than we knowingly possess, referred to by Carl Jung as Unus Mundus. This abstract "mind of nature" must be responsible then for intuition and creativity, chance and evolution, the hive mind or collective unconscious and the workings of my observational process, using synchronicity as a directional guide. In other words, the Pyramid offers my personal synergy as an example of the way it's possible to consciously tune ourselves in to nature.

Back in the 1980's, science identified a non-local force (defying relativity), acting within the quantum field. My work suggests its "timeless dimension" is integral to the way the mind works, and voluntary feedback in an individual's life, confers what we think of as "supernatural powers". Effectively, the Pyramid offers proof that a magical relationship with nature is possible by synergising with the Collective Unconscious.

Pyramid Art is founded on ancient, binary, Taoist symbolism. A Taoist devotee to the development of spirit, was said to tread the path of Li. Li is the Chinese term given to the alchemical element fire, or a rising emanation of meaning in things, where it was said, answers come from Left and Right (L&R). I refer to the answering source perceived through synchronicity as Elandar... See what I did there?

Sooner or later we all notice Elandar working in our lives, through weird phenomena like déjà vu and synchronicity. We mostly dismiss such impressions because they challenge the rational vision by which we assume life functions. Yet, anomalies remain and what's sensible there is altered from time to time by new discoveries.

I was put in the position to pursue this one when my awareness was transformed through my spontaneous initiation into the path of fire, my synchronicity experience. It began at a time of crisis and deepened on a daily basis to answer questions and pose more, so I pursued the thread it offered. After four years it had transformed my life and art by moving me from London to São Paulo Brazil, where the Pyramid came to light. In all this, I walked-on alone because I soon realised, nobody could mediate or explain; nor would I blank out the experience or subscribe to religious dogmatism. In view of my experience, I believe I'm uniquely qualified to offer those who wish to pursue such feedback, a thread of their own to pursue, via my art experiment: Using a remote physics laboratory, it exploits our link to Elandar, so you can tune-in and share your insight obtained through it and as a growing, intuitive work of art accessible anywhere.

Albert Einstein, author of quantum mechanics, said: "The intuitive mind is a sacred gift and the rational mind a faithful servant, but we've created a society honouring the servant that forgets the gift”. That ongoing amnesia is the product of our failure to develop synergy with the source of our own creativity. That's why it can so easily atrophy or lock itself in to a loop. It's also why I'm convinced we should inspect the gift more closely. Problem is, we've largely displaced sacredness in the day to day, with a spiritual eclecticism which masks our lack of insight; that or rights and responsibilities, all of which distract from the fundamental disconnect. Our disconnection from sacred nature sets us adrift, so we live under the thrall, rather than in conscious synergy. But humanity needs help from somewhere now. Civilization is in a perilous situation, carrying a heavy load, while balanced on a tightrope, feeling blind for the next step.

The problem of developing a guiding vision through an alien force of mind, somewhere hidden within us all and everything, arises because despite all the clues it provides, the ego always makes us want to believe such a power manipulating us from beyond our senses, must be illusory and we really are free agents. The assumption is reinforced by every law governing society, but what if the spiritual freedom we think we possess isn’t possible, due to the unknown mechanics of the quantum universe as it relates to the source of ideas...the workings of the mind, about which science knows almost nothing? Wouldn't it then be an ignominious state of affairs to pursue even our desires, if they're unconsciously manipulated by a transpersonal intelligence that may be set on harming us... if only to get noticed and listened to?

On the other hand, were individuals able to recognise and synergise with Elandar, could a mutually beneficial liaison emerge? As things stand, the relationship of the hive mind to the individual remains one of parasite and host and we're oblivious to the critical nature of our situation. What's needed is a revolution in consciousness. That's where Pyramid Art can help. It represents mathematical evidence for an underlying force of mind beyond the individual, proof also for our potential to develop benign, creative partnership, to achieve what we think of as genius. I suggest this is the paradigm shift needed, if civilisation is to survive itself.

Great Modern Art captures an impression of something unseen. Pyramid Art goes one vital step further because it's generated as a pattern you can contemplate in your own time, to expose to yourself the power within, normally hidden. Here lies the possibility of your own personal breakthrough to timelessness. I offer you that sensational experience, if you'll play along, because in my experience, to make any headway, obstacles must be cleared by using feedback through synchronicity. Essentially the Papolona experiment provides synchronicity on demand.

Pyramid art was produced by combining information only attributable to a sublime force of nature. I was guided by synchronicity to the information stored mathematically in an obscure pair of binary code sequences. The conventional mind sees this combination as arbitrary, so in its view the Pyramid should be meaningless, but since it's coherently meaningful at every level, convention must be wrong, just like flat-Earth thinkers were, if you know what I mean.

Shakespeare most famously said it best in the play Julius Caesar, when he wrote: "The fault is not in our stars, but in ourselves, that we are underlings". But, once we're conscious of Elandar and become devoted to partnership, he can work for and through us, by entering into synergy. As a graphic example, consider this challenge to your intelligence, suggesting the hive mind wishes to commune with you 121 and provoke the flowering of your genius. Give yourself a minute, a pen and a blank sheet of paper. Now draw a butterfly with four wings, a body, head and antennae, using just five straight lines. Make the beast look alive and in flight.

Now look at the middle, when the Pyramid's in the point north position, the arrow pointing east, with letter 'N' at the centre suggests a spiritual compass. The instrument points to a representation of transformative feedback, known as the Butterfly Effect. The butterfly is "drawn" like a signature, in one continuous line, changing direction just four times. It describes the butterfly I requested of you above. When the compass arrow is turned to point north and the art points west, as in the red outlined central imagery of the Pyramid, it symbolises a new frontier. The first and last letters of the Roman alphabet... signify a map or guide, while the butterfly, now above, magically appears to change direction 180 degrees. Remember, this symbolism was produced through a simple system, governed by a formula I designed in just a few minutes, guided by synchroncity.

The middle component of the triptych, this Jewel Mandala or JM, is the crucial part of the system. It's a schematic arrangement of psychological archetypes, the eight ancient Chinese, alchemical elements, positioned in a numbered sequence reflecting progress, balance and opposition. The JM is the window where the source codes are converted to symbols. These codes come from the world's oldest constantly used book, a pre-scientific vision of man and nature, known as the I Ching, or "The Book of Changes". The lower code strip of binary coded data contributes to the mathematical system as the most familiar hexagram sequence, named after King Wen. In contrast, the upper code, by Richard Wilhelm, the index arrangement from his twentieth century translation, is unknown in its pictured form. Roughly three thousand years separates them and neither author could have deliberately hidden the Pyramid in his work... by which we can conclude, whether we like it or not, nature's creative force manipulated the authors' minds and by extension manipulates all of us unconsciously, in the manner of a hive mind. The implications are inspiring and threatening in equal measure: Trans-personal meaning and purpose is available for us to discover on the one hand, but on the other, the individual freedom we think we posses, must be an illusion. Ironically, perhaps the only freedom we could own then, is to pursue conscious synergy or not. By the same token, if humanity knowingly continues in delusion, our civilization doesn't deserve to survive. That's why I urge you try to kick start your guiding relationship with Elandar.

Ancient civilisation celebrated such feedback in its conception of genius. But the scientific mindset has hijacked and modified the meaning of the word and like a psychological coup for supremacy, put it out of the reach of the common man, while simultaneously failing to formulate a theory of mind, connecting the individual to nature... because that might validate the animist ideas its vision wants to banish from our world view. Consequently, science has no theory to explain how the mind works and never will, unless it recognises our timeless connection to nature, as a force working away in real-time.